In Manufactured Landscapes, internationally renowned photographer Edward Burtynsky travels to China to document the effects of the countries massive industrialization and the devastating impacts on the environment. Although this documentary was produced in 2006, the environmental impacts shown are still prominent today (e-waste, the Three Gorges Dam, manufacturing, etc.). What struck me the most was at 24:40, when Burtynsky shows a photograph of a woman in front of her house, which is just inundated with e-waste, but he discusses how she must have lived through Mao, the Great Leap Forward and a Cultural Revolution. This somehow made me think of Beck’s risk society thesis, the transition from an industrial society to a risk society, where we are unable to comprehend the advance effects from the products of our technologies (in this case, the degradation of the environment from advanced and abundant industrialization). Beck defines a risk society as, ‘a systematic way of dealing with hazards and insecurities induced and introduced by modernization itself.’ Humans have always been subject to various risks; in early civilizations these were most common to be natural disasters and non-human forces. But as humans become more advanced due to modernization, we become more subject to manufactured risks, i.e, pollution, nuclear energy disasters, etc. On a side note, Chernobyl is often referenced when the risk society is discussed, which is quite interesting due to its connections to another communist state. Back to the topic of Burtynsky, his photography has been featured internationally and I was lucky to view an exhibit of his work last spring at the Vancouver Art Gallery. He presents landscapes devastated by industry, electronic waste and global consumerism through such exquisite and captivating images. Take a look! This is a direct link to his collection of photographs from China.
Some questions to think of…
1. Would you classify China as a risk society?
2. How can we reconcile our desire for modern conveniences of mass-produced goods with our concern for environmental destruction?
2. What effect, if any, did Edward Burtynsky’s visually stunning images have on your reaction to the landscape? Would you have reacted differently if the images were bleaker and less visually seductive?